Maunalua in Waikiki

photo courtesy of Adrienne Mierzwa, Rye, NY

Maunalua in Waikiki

photo courtesy of Adrienne Mierzwa of Rye, NY

Maunalua at Duke’s

Maunalua playing at Duke’s in Waikiki

photos of maunalua courtesy of adrienne mierzwa

Dancing Hula on Moana Terrace with Maunalua

Hula dancing is the essence and spirit of Hawaii. Initially it was treated as a sacred ritual, but it slowly it has became a form of social entertainment. The dance is not without meaning. In fact, the heart of hula dancing is poetic text, which is referred to as Mele. All movements are interpreted and performed on the basis of the text. In hula dancing, hand and arm gestures are combined with rhythmic twisting and swirling. Each movement has a particular meaning and this coupled with the expressive hand gestures have even greater significance. While dancing, the movements that the dancers make may represent any facet of nature or life. Plants, trees, war, wind fire and water. All the elements are adequately represented and the viewer has no doubt in his mind as to the meanings are with each movement. This is because hula dancing by its movements embodies the essence of thing it represents. The dancers incorporate to exactitude the elements of life and nature and the chanting aids in narrating the story.

Initially in hula dancing, the emphasis was on the words only, but as many people do not understand tho early chants, this form of dancing has become more expressive and understandable. Interestingly enough, there are many types of hula dancing and these are performed at different times and in different ways. Hula hue was a kind of endurance dance used at the end of a program while hula hapa haole was a westernized version with English words. Hula hula pertained to a type of dancing where there were many people involved. Some sang and some played the drum.

Hula o Kalâkaua was dancing reserved for the King’s coronation. Hula kuhi Lima was a sitting hula where the dancer swayed the body in keeping with the music and made eloquent hand gestures. The modern day hula auana is very informal and there is no ceremony involved. It is danced to the accompaniment of instrument like the guitars and is very popular on the islands of Hawaii.

Whatever be the form of hula dancing, the essence and spirit of the dance is always felt. It has a strange impact on the viewers and often makes one want to join in. Hula dancing in spite of metamorphosis is here to stay. Its magnetic charm touches all who see. The origins of hula are open to interpretation. Some believe it came from the ancient civilization of Mu, some claim it was indigenous, while others say that it had its roots in Tahiti . Whatever be its origin or its roots, there is no doubt that the Hula is the link which binds the dancers with the universe and symbolizes their unity with all creation.

An Evening on Moana Terrace with Maunalua

Maunalua is Bobby Moderow, Jr., who was schooled by the legendary Raymond Kane, playing rhythm and slack key guitar, as well as providing vocals; Kahi Kaonohi, a journeyman musician with many local groups and Halau before settling in with Maunalua, playing bass guitar and singing; and Bruce Spencer, whose strong foundation in local music harmonies rounds out the group with his six-string ukulele and vocals

Maunalua

The fans of the popular group Maunalua who have been waiting for a follow up to their hugely successful debut album, will find that their patience has been well rewarded with the release of KULEANA. Following the success of MAUNALUA, which won the Best Hawaiian Album at the 2001 Na Hoku Hanohano awards for the trio and their producer, Dave Tucciarone, was a daunting challenge, but KULEANA meets that challenge well, and firmly establishes the group at the leading edge of contemporary Hawaiian music. Maunalua has been playing together for over eight years at venues that range from backyard luaus to neighbor island events, to concerts in Japan, Tahiti, Las Vegas and beyond. They have honed their musical skills men and earned a strong and loyal following. The release of KULEANA on a new record label in partnership with their former label, Koa Records, furthers their efforts to uphold and preserve the Hawaiian music culture.

The very name KULEANA, speaks to their sense of responsibility for preserving the traditional music of the islands, while giving it a fresh contemporary style. KULEANA evokes memories of old Hawaii through traditional favorites such as Nani Kauai, Aloha Ka Manini, Kealohalani and Sanoe, and a beautiful rendition of E Liliu E will delight slack key fans. The groups own writing talents are well represented with Pa Konane, a song that will make listeners hope for even more original music in their next outing.

Maunalua is Bobby Moderow, Jr., who was schooled by the legendary Raymond Kane, playing rhythm and slack key guitar, as well as providing vocals; Kahi Kaonohi, a journeyman musician with many local groups and Halau before settling in with Maunalua, playing bass guitar and singing; and Bruce Spencer, whose strong foundation in local music harmonies rounds out the group with his six-string ukulele and vocals.